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plutschow gallery

&My second show at Plutschow Gallery was born when I asked Roman if he also wanted a "Μέμωρι" exhibition similar to the one I was doing with Valentina Bonomo in Rome. "I like the drawings- said Roman- but everything you´ll be showing at my gallery should be for sale" (the Μέμωρι drawings are to be given away to collectors without money involved). Ok I said, let´s then do Drawings Quasi Paintings. These will be drawings that differently to the Μέμωρι are "art"" for sure-meaning they are about what my work is about: portraits of humanity involved with computers. (Μέμωρι instead is about life..). You have them ready? Roman asked. I"ll call you back tomorrow_I said- , shout down my computer and start contempating the day I was painting my computer screen paintings, my videogame paintings, my cable paintings.. After a while, I start going around in my studio and opening envelopes. There it was.. an envelope Vanessa Beecroft had send me a few days earlier.. It contained the prints I was using back in the 90´s to paint my paintings. I picked one of them, placed it on the light-table, grabbed the first paper I could find and start making a drawing that was "quite a painting"- meaning that I could have just made that drawing instead of painting the whole large canvas and it would have had the same effect on the surface of reality: A PlayStation Controller would have succesfully appeared.. (Stuff that have never been painted do not exist). I took a picture, turned on my computer again and send it to Roman. Here is one- I said- Lets use it for the invitation...

Ueda

Carbonated Jazz

White C

Plessas

Manovich

Plessas

Rozendaal

Rozendaal

den Dorpel

den Dorpel

Manetas

Manetas

Cortright

Rozendaal

Ulman

Grancher

At MUSEO d'INVERNO

“ Museo d’Inverno is pleased to present the exhibition electonicOrphanage@siena, following an invitation extended to and accepted by Miltos Manetas. ElectronicOrphanage is a collection of internet-based works that had its naissance in 2001 as a space for experimentation with video games and web arts: an old Chinese shop with a display window on the pedestrian Chung King Road (in Los Angeles’ Chinatown) was turned into a giant computer monitor that showed works related to the world of the web and Neen (an artistic movement founded by Manetas in 2000). Manetas acquired some of these works over the years, and today they make up a thoroughly unique collection. The digital nature of this collection (hosted for the second time in Italy; the first was at the MACRO in Rome in 2011/2012), which can be accessed from any device with an internet connection, would make it unnecessary and superfluous for viewers to visit a physical museum space. This is precisely why Manetas has conceived a specific exhibition for Siena, intended to underscore a few loosely historiographic aspects that reconstruct certain events, with the inclusion of some documentary elements telling the story of electronicOrphanage and Neen. Collaborating for the occasion is Radiopapesse, which will transmit a carefully-chosen selection of audio materials curated and produced by Miltos Manetas, thus lending new value to the oral tradition understood as a visionary moment of awareness. Museo d’Inverno has expanded its space with the addition of an augmented-reality virtual project room (made by Lo/Studio35) for which Manetas will curate future programming; for this first occasion he has invited the Swiss artist Nora Renaud to present a work, and has written a text to be presented in the exhibition. Museo d’Inverno is a project conceived and directed by Francesco Carone and Eugenia Vanni to explore and delve into aspects of contemporary art history (often little-known) and highlight passions, relationships, friendships and collaborations through the choices made by artists invited to present works from their own personal collections. Opening Saturday 28 May 2016