Miltos Manetas is a Greek-born painter, conceptual artist and theorist whose work explores the representation and the aesthetics of the information society.
Manetas is the Founder of
NEEN (the first art movement of the 21st century), a pioneer of art-after-videogames (MACHINIMA) and an instigator of Postinternet and NFT. In 2009 he was invited by the Venice Biennial to create its first INTERNET PAVILION. In 2014, invited by Rome's Swiss Institute to propose a tendency that would bring Swiss art to the digital Age, Manetas introduced the concept of
ÑEWPRESSIONISM which he went on developing on Social Media using his techniques of Overeality and Metascreen. Manetas used DOCUMENTA 14 to re-enforce his concept of MEDIOSUD in 2019 presented his NEOUMILE Modus Operandi at Rome's MACRO . In 2018, Rome's MAXXI realized Manetas'
INTERNET PAINTINGS, a three months performative exhibition. According to
LEV MANOVICH, Manetas' art can be placed within a well-established tradition in modern painting (representing modern people in their particular modern settings). According to
NICOLAS BOURRIAUD Manetas' work belongs to the domain of
RELATIONAL AESTHETICS and
POST-PRODUCTION